kierafaber.com
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Retrospective screening and conversation, Cinematheque UW-Madison, 2024 | |
Do Not Bend, with Jes Reyes, at Saint John's University Art Center, 2024 | |
Amsterdam Quarterly 41 - Migration, with Philip Gross, 2024 | |
Lost in the Playroom: Obscurer, David Finkelstein, Lake Ivan Film Journal, 2022 | |
Central Minnesota Arts Board, Individual Artist Award, 2022 | |
Review of Kiera Faber's Obscurer, agnès films, 2021 | |
Obscurer at South Bend Museum of Art, January 16 - April 4, 2021 | |
Moonplay Cinema: where to from here podcast. Featured artist, 2021 | |
Jerome Foundation 2019 Minnesota Film, Video and Digital Production Grants | |
Artists I Admire interview with Jes Reyes, 2019 | |
McKnight Media Artist Fellowships at Walker Art Center, 2019 | |
2018 McKnight Media Artist Fellowship Recipient | |
Obscurer in Tone, Madison, WI, 2018 | |
Confronting Art About Rape by Dr. Emily Newman, in Exploring Bodies in Time and Space edited by Loyola McLean, Lisa Stafford, and Mark Weeks. ID Press, UK, 2014 | |
Review of Completely Human in Afterimage Vol. 40, No. 4 by John Powers, 2013 | |
Essay for Completely Human at Texas A&M University Commerce, 2012 | |
Midwest Photographers Project, The Museum of Contemporary Photography, Chicago, IL, 2012 | |
Living Organics at the Gwen Frostic School of Art, Kalamazoo MI, 2011 | |
Review of Living Organics/09.01.29, at the MacRostie Art Center, Grand Rapids, MN, 2011 | |
The Moving Image, Douglas Holleley, Photo-editing and Presentation, 2009 |